January 29, 2010

95 Cent Skool

The 95 Cent Skool is a 6 day long experimental seminar that will be offered in Oakland, California, July 26-31, 2010. It is convened by Joshua Clover and Juliana Spahr. It will explore the possibilities of poetry writing as part of a larger social practice, at a distance from the economic and professional expectations of institutions. We believe a dozen people sitting around a table can’t ruin poetry, but that costs, professional context, mythologies of individual genius, and client/service-based models can — and in our own experiences teaching in pay-to-play writing programs, often do.

Our concerns in these six days begin with the assumption that poetry has a role to play in the larger political and intellectual sphere of contemporary culture, and that any poetry which subtracts itself from such engagements is no longer of interest. “Social poetics” is not a settled category, and does not necessarily refer to poetry espousing a social vision. It simply assumes that the basis of poetry is not personal expression or the truth of any given individual, but shared social struggle.

The 6 days will feature:
• Morning discussion groups lead by Juliana and Joshua
• Two guest speakers: one on the political economy and one on ecology
• Afternoon group and/or collaborative writing sessions
• Dinners and drinks at a nearby bar

The 6 days will not feature:
• Workshops led by a “master poet”
• Agents or editors who will advise your work into publication
• A Richard Wilbur Celebration Night
• Instruction in reciting poetry to bring out the emotional content of the poem

The final program will be available later in the Spring.

Each participant will be asked to contribute up to 1% of annual gross income as their 95 cents exclusively towards operating expenses. The workshop leaders and as many other organizers as possible will donate their time. No one will be turned away for lack of funds. Email us if you’ve got questions about how much you can pay. We will also help in finding free housing for any participants in need.

The program is open to any interested participant with any level of prior engagement with poetry. This program is not affiliated with any institution of higher education and no transferrable institutional credit will be offered. There is no application fee, but space is limited. Please send a note indicating interest and experience to 95centskool@gmail.com

Please feel encouraged to re/post this listing to your blog or otherwise redistribute. If you would like to receive further information about the 95 Cent Skool, please email the address above, or join the 95 Cent Skool facebook group: http://www.facebook.com/group.php?gid=300963159304&ref=mf
The 95 Cent Skool will happen with the support of Small Press Traffic and ‘A ‘A Arts.

Thank you very much,

the 95¢ Skoolers —

January 29, 2010

Poetic Practice Reading Group: this Monday in Egham…

Poetic Practice Reading Group
6.15 – 7.30 pm
International Building, Egham
Room IN045

Monday 1st February 2010

Sophie Robinson

‘writing nonlocation location’ : creating queer space in poetic
pratice.

I’m going to begin by talking about Bruce Boone’s essay ‘Gay Language
as Political Praxis: The Poetry of Frank O’Hara’. I want to examine
Boone’s reading of O’Hara – particularly concepts of ‘competing
language-cultural codes’, marginalised communities, proximity and
low/derided culture – and discuss the function of ‘gay language’ in
poetic practice.

I want to use these concepts as a starting point for thinking about
contemporary uses of ‘queer language’ by looking at a recent issue of
EOAGH dedicated to the subject. I will be looking closely at kari
edwards’ editorial statement, and the poetry of Abigail Child and Amy
King included in the issue.

I then want to present some of my own recent work, and discuss my
practice in relation to the ideas raised. I particularly want to focus
on forms of queer space (proximity, disorientation, liminality,
occupation, subculture) which both influence and are produced by queer
texts, and will be contextualising this by referring to extracts from
Sara Ahmed’s Queer Phenomenology.

The Bruce Boone essay is here:

http://www.jstor.org/stable/466406

And the EOAGH Queering Language issue is here:

http://chax.org/eoagh/issue3/issuethree.html

Extracts from Ahmed’s Queer Phenomenology are here:

http://books.google.co.uk/books?id=sQY1RWdUW0AC&printsec=frontcover&source=gbs_v2_summary_r&cad=0#v=onepage&q=&f=false

Biography: Sophie Robinson has an MA in Poetic Practice from Royal
Holloway. She is currently completing a practice-based PhD on queer
time and space in experimental poetic practice. Her poetry has
appeared in the anthologies The Reality Street Book of Sonnets (Reality
Street, 2008) and Voice Recognition: 21 Poets for the 21st Century
(Bloodaxe, 2009). Her first book, a, was published by Les Figues press
in 2009, and she has a chapbook forthcoming from Oystercatcher in
Spring 2010. She currently lives and works in London.

All Welcome

January 29, 2010

New Website by Recent MA in Poetic Practice Graduates….

Here it is!

http://pressfreepress.blogspot.com/

We have finally put press free press activities onto a website.

It would be great if you could have a look and let people know!

We will be updating regularly. Feedback welcome!

Best,

press free press

January 26, 2010

HOW many?

From The Bookseller:

Last year saw the largest number of titles published since records began 15 years ago, Nielsen Book figures have shown.

The UK publishing industry produced more than 133,000 titles during 2009 – an increase of 3.2% on the previous 12 months – hitting the highest output for a single year ever.

When Nielsen first began collating the data, the UK produced fewer than 100,000 titles a year. The highest until now had been 14 shy of 130,000, a figure reached in 2003.

Nielsen said: “The increases can be accounted for in part by growth in print-on-demand (POD) and digital product, which we expect to continue to increase in the future.”

English-language titles recorded by Nielsen Book as having been published somewhere in the world, excluding UK and Ireland, have also grown exponentially, with 2009 showing a record 604,768 publications.

The new book production figures have also increased the overall number of bibliographic records held on the Nielsen Book database to 10.4m globally and 5.8m for UK & Ireland.

Golly. [AR]

January 25, 2010

BSFA Award Shortlist

After ticking the ’shameless self-publicising by course teachers’ tag, I can report that my novel Yellow Blue Tibia has been shortlisted for the BSFA Award. More details here. [AR]

January 19, 2010

A Horse Is a Horse (of Course! Of Course!)

Are you interested in horses and/or horse racing? Here’s the competition for you: The Wills Young Writers’ Awards, which were started in 1993 in memory of journalist and amateur jockey Martin Wills. All the details you need can be found here: www.willswritingawards.co.uk. The prize money is good and the deadline is 28 February 2010.

Talk to Mr. Ed:

[DC]

December 1, 2009

Short Story Competition

Mslexia is running a short story competition for Women’s Writing. I don’t think that this means it has to be written by a woman necessarily, but that might help. In any case, further information can be found here: http://www.mslexia.co.uk/whatson/msbusiness/scomp_active.html or if you’d prefer a hard copy, and some flyers about other competitions, 2010 writer’s diary and a whole lot more, I’ve got a packet of stuff they sent in my office. [DC]

November 22, 2009

Former Student’s Book Now Out

Just received an email from former RHUL student Paul Edwards. This is what he says:

I’ve just brought out a book on rap lyrics — How to Rap: The Art & Science of the Hip-Hop MC. … I’ve got some good blurbs for the book, one from poet Dana Gioia was particularly nice: “Paul Edwards’s How to Rap marks a cultural coming-of-age for Hip-Hop. His Art & Science of the Hip-Hop MC is the first comprehensive poetics of this new literary form. Clear, concise, and immensely useful, it alternates a practical introduction to the subject with the comments of leading rap artists. Combining literary criticism and street smarts, Edwards has made his bid to become the Aristotle of Hip-Hop Poetics.”

Cool, eh? Here are the relevant links:

http://www.amazon.co.uk/How-Rap-Art-Science-Hip-Hop/dp/1556528167

http://www.howtorapbook.com

http://www.barbarabraunagency.com/

I wonder what Aristotle would have made of rap? ‘My name is Aristotle, and I rap full-throttle …’ [AR]

November 12, 2009

Conversations

Here’s a series of talks–conversations rather than lectures–that might be of interest. More information here and a description below:
Siobhan Davies Studios is soon to host a series of Conversations on Making throughout November and December 2009. Siobhan Davies has invited four artists from different disciplines to discuss how they make their work. Each artist will invite a guest speaker from outside their own practice and will talk to them about their creative process.

13 Nov Katie Mitchell (Theatre director) + Paul Clarke (Composer)

20 Nov Lavinia Greenlaw (Poet/Novelist) + Cornelia Parker (Artist)

27 Nov Edmund de Waal (Ceramicist) + A S Byatt (Author)

4 Dec Tim Crouch (Playwright/Performer) + Karl James (Dialogue artist)

*For further information see our website www.siobhandvies.com/conversations

These talks provide a unique opportunity for students to participate in discussions with professionals from different artistic walks of life.

[DC]

November 6, 2009

Launching your book

Several points I touched on in the lectures are covered here.

The website has more:

Once we get back from Frankfurt, we’d like to see you on morning talk shows like the “Today” show and “The View,” so please get yourself booked on them and keep us “in the loop.” If I’m not here—which I won’t be, since after the book fair I go on vacation for two weeks—just tell Jenni, my assistant, when she gets back from jury duty.

Remember in your blog to tabskim your readers’ comments. You can use Twitter, Chitt-chaTT, or Nit-Pickr. When you reply to comments, try to post at least one photo per hour of you doing everyday tasks around the house, such as answering comments and posting photos. Please make sure they’re pre-scorched. Let me know, when I get back from Retreat a week after my vacation, if self-surging is a problem.

Very funny. In a painful way. [AR]