Lucy and Christopher have
set up the following new blog:
//DISINGENUOUS TWADDLE is
looking for creative work
for the inaugural upload!
WE WANT YOUR ART!
– fiction (of varying length)
– sound pieces
Follow the links for more information…
The 95 Cent Skool is a 6 day long experimental seminar that will be offered in Oakland, California, July 26-31, 2010. It is convened by Joshua Clover and Juliana Spahr. It will explore the possibilities of poetry writing as part of a larger social practice, at a distance from the economic and professional expectations of institutions. We believe a dozen people sitting around a table can’t ruin poetry, but that costs, professional context, mythologies of individual genius, and client/service-based models can — and in our own experiences teaching in pay-to-play writing programs, often do.
Our concerns in these six days begin with the assumption that poetry has a role to play in the larger political and intellectual sphere of contemporary culture, and that any poetry which subtracts itself from such engagements is no longer of interest. “Social poetics” is not a settled category, and does not necessarily refer to poetry espousing a social vision. It simply assumes that the basis of poetry is not personal expression or the truth of any given individual, but shared social struggle.
The 6 days will feature:
• Morning discussion groups lead by Juliana and Joshua
• Two guest speakers: one on the political economy and one on ecology
• Afternoon group and/or collaborative writing sessions
• Dinners and drinks at a nearby bar
The 6 days will not feature:
• Workshops led by a “master poet”
• Agents or editors who will advise your work into publication
• A Richard Wilbur Celebration Night
• Instruction in reciting poetry to bring out the emotional content of the poem
The final program will be available later in the Spring.
Each participant will be asked to contribute up to 1% of annual gross income as their 95 cents exclusively towards operating expenses. The workshop leaders and as many other organizers as possible will donate their time. No one will be turned away for lack of funds. Email us if you’ve got questions about how much you can pay. We will also help in finding free housing for any participants in need.
The program is open to any interested participant with any level of prior engagement with poetry. This program is not affiliated with any institution of higher education and no transferrable institutional credit will be offered. There is no application fee, but space is limited. Please send a note indicating interest and experience to firstname.lastname@example.org
Please feel encouraged to re/post this listing to your blog or otherwise redistribute. If you would like to receive further information about the 95 Cent Skool, please email the address above, or join the 95 Cent Skool facebook group: http://www.facebook.com/group.php?gid=300963159304&ref=mf
The 95 Cent Skool will happen with the support of Small Press Traffic and ‘A ‘A Arts.
Thank you very much,
the 95¢ Skoolers —
Poetic Practice Reading Group
6.15 – 7.30 pm
International Building, Egham
Monday 1st February 2010
‘writing nonlocation location’ : creating queer space in poetic
I’m going to begin by talking about Bruce Boone’s essay ‘Gay Language
as Political Praxis: The Poetry of Frank O’Hara’. I want to examine
Boone’s reading of O’Hara – particularly concepts of ‘competing
language-cultural codes’, marginalised communities, proximity and
low/derided culture – and discuss the function of ‘gay language’ in
I want to use these concepts as a starting point for thinking about
contemporary uses of ‘queer language’ by looking at a recent issue of
EOAGH dedicated to the subject. I will be looking closely at kari
edwards’ editorial statement, and the poetry of Abigail Child and Amy
King included in the issue.
I then want to present some of my own recent work, and discuss my
practice in relation to the ideas raised. I particularly want to focus
on forms of queer space (proximity, disorientation, liminality,
occupation, subculture) which both influence and are produced by queer
texts, and will be contextualising this by referring to extracts from
Sara Ahmed’s Queer Phenomenology.
The Bruce Boone essay is here:
And the EOAGH Queering Language issue is here:
Extracts from Ahmed’s Queer Phenomenology are here:
Biography: Sophie Robinson has an MA in Poetic Practice from Royal
Holloway. She is currently completing a practice-based PhD on queer
time and space in experimental poetic practice. Her poetry has
appeared in the anthologies The Reality Street Book of Sonnets (Reality
Street, 2008) and Voice Recognition: 21 Poets for the 21st Century
(Bloodaxe, 2009). Her first book, a, was published by Les Figues press
in 2009, and she has a chapbook forthcoming from Oystercatcher in
Spring 2010. She currently lives and works in London.
Here it is!
We have finally put press free press activities onto a website.
It would be great if you could have a look and let people know!
We will be updating regularly. Feedback welcome!
press free press
Just received an email from former RHUL student Paul Edwards. This is what he says:
I’ve just brought out a book on rap lyrics — How to Rap: The Art & Science of the Hip-Hop MC. … I’ve got some good blurbs for the book, one from poet Dana Gioia was particularly nice: “Paul Edwards’s How to Rap marks a cultural coming-of-age for Hip-Hop. His Art & Science of the Hip-Hop MC is the first comprehensive poetics of this new literary form. Clear, concise, and immensely useful, it alternates a practical introduction to the subject with the comments of leading rap artists. Combining literary criticism and street smarts, Edwards has made his bid to become the Aristotle of Hip-Hop Poetics.”
Cool, eh? Here are the relevant links:
I wonder what Aristotle would have made of rap? ‘My name is Aristotle, and I rap full-throttle …’ [AR]
Interesting new project from esteemed Scots SF writer Ken MacLeod: The Human Genre Project. Ken is actively seeking contributions:
We welcome new contributions of short works inspired by genes and genomics. Ideally your contribution would be related to a specific gene, but if not, don’t worry.
Your contribution will, unless you ask otherwise, be shown with a link to your own website or blog, so this is a good way to spread the word.
Pieces may later be displayed in a variety of formats and media, besides this website: an exhibition, a book or booklet, a set of postcards, etc.
The only right we’re asking is for is the right to reproduce the work for the life of the project and in any medium (online, print, public exhibition, interactive display etc) — but only as part of this project. All work will be fully attributed. You are, of course, free to publish your work anywhere else and in any way you like.
I’ve got two things up on the site: a 1200-word short story called ‘The Chrome Chromosome’ and a 10-line poem called ‘Chromosome Poem’ (you see what I did there? With the titles?). You’ll find them under chromosome 13.
You know what? You should definitely think about submitting something. [AR]